Umezurike

[REVIEW]: Meron Hadero’s Sense of Hope

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Hadero shows us two worlds, dialectical at best: one of ease and comfort, enjoyed by foreigners, and the other of lack and precarity, experienced by locals. The “new” Ethiopia, depicted in her story, has no space for the poor and their “homes made of cloth and rags and wood.” This depiction typifies the irony at the heart of capitalist modernity pursued by the neocolonial elite.

From Olongo Africa
On July 21, 2021
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