He belongs to a generation of Nigerian men raised to be strong, silent, and hopelessly incapable of accepting complicity even in the face of clear damage. The patriarchy is alive in him indeed.
The Forgotten Ones
A prominent feature of post-colonial Nigeria was a remarkable fondness for everything white. This included western education and white-collar jobs, leading to the demonization of certain informal professions. For some reason, artists were among the most reviled.
The Future of African film at Sundance
Used to be a time when there were worries that African films could hardly compete with their global counterparts. But as the Sundance entries prove, those days may be long gone. The critics have been near universal in their praise and so have the festival juries and industry awarding bodies.
The Intimate Strangers of Farewell Amor
In her feature-length debut, director Ekwa Msangi imagines what many immigrant families spend years dreaming of: they day they are reunited in an airport terminal.