The exhibition concerns itself with the spread of fake news and disinformation globally, featuring works reflecting both Taiwanese and international artists.
I am more familiar with the poetry of Fred D’Aguiar than his prose, so I was thrilled when I discovered his debut novel at the Library of Africa and the African Diaspora (LOATAD) in Accra where I was a writer-in-residence in April earlier this year.
In 1954 Sylvia Wright, an editor at Harper’s Magazine, wrote a piece for the magazine in which she recalls her childhood. Her mother would read the Scottish ballad “The Bonnie Earl o’ Moray” to her. Here is how young Wright heard the opening lyric:
Pili Puppetry is a well-known Taiwanese glove puppet series, which transposes wuxia tales of martial arts chivalry to a fantasy setting.
This is a No Man is an Island film review written in collaboration with Cinema Escapist as part of coverage of the 2022 New York Asian Film Festival. Keep an eye out for more!
A piece of intrusion fantasy, its prose carefully measured, tied to a Black woman’s hair.
A few weekends ago I drove to the teeny beach town of Oceano. I had received a tip that, somewhere on California’s Central Coast, someone was performing live melodramas.
雨の音 (rain sound) is a compact EP, but it manages to take listeners on a unique aural journey.
If we think of film as “visual storytelling”, Blood Sisters certainly gives us the “visual” even if it sometimes leaves us wondering about the “storytelling.”
In the traditions that established earlier voices in modern Africa poetry, sociopolitical maladies have remained an arch theme. In the words of Omafune Onoge, what rocks African poetry most is the crisis of consciousness.
Katharine Coldiron's new column Melodrama-Rama takes readers on a beguiling tour of the world of melodrama.
This is a No Man is an Island film review written in collaboration with Cinema Escapist, as part of coverage of the International Film Festival Rotterdam. Keep an eye out for more!