Posts from No Man Is an Island
Taiwan’s Ecological History as Performance: The Collection of Time in the Polymer Age
Part of coverage of the 2022 New York Asian Film Festival.
The latest online blow-up by authoritarian leftists–commonly referred to as tankies–proves a bizarre one.
Minister of Culture Lee Yung-te made comments at the recent National Culture Congress earlier this month that might strike as somewhat unusual.
Brian Hioe spoke to Blaine Whiteley about Earthfest, which will take place in Miaoli from July 21st through July 24th.
雨の音 (rain sound) is a compact EP, but it manages to take listeners on a unique aural journey.
As COVID-19 spreads throughout Taiwan as part of the current outbreak, what may be particularly of note is the degree to which the outbreak has interfaced with personal behavior.
What now that capitalism has learned to embrace, eat, and digest attempts at subversion and criticism to the point that anti-capitalism becomes a vital force for capital?
There are few words fit to describe Blue Island (憂鬱之島), apart from “masterpiece.” The film stands out as an example of its genre, while also managing to be highly powerful and personal.
A Review of "Singing in the Wilderness" written in collaboration with Cinema Escapist, as part of coverage of the International Film Festival Rotterdam. Keep an eye out for more!
This is a No Man is an Island film review written in collaboration with Cinema Escapist, as part of coverage of the International Film Festival Rotterdam. Keep an eye out for more!
FOR A WEEK she stood inside a room at the Taichung train station. There was something quietly defiant about her stance, left foot crossed over her right, the weight of her body slightly on the back foot, as if she were just about to take a small step forward.