Art / Culture

Biyi Bándélé: The Storyteller Departs

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The writer-director, author of Burma Boy, Biyi Bandélé, has passed.

From Olongo Africa
On August 9, 2022
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Are God’s Children Little Broken Things?

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Ifeakandu, in his debut, reveals the mundane and daring lives of gay men in Nigeria, conveying their everyday experiences with compassion.

From Olongo Africa
On August 5, 2022
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Idza Luhumyo’s Hair Politics

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A piece of intrusion fantasy, its prose carefully measured, tied to a Black woman’s hair.

From Olongo Africa
On July 27, 2022
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The Happiest People on Earth

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I come from the country / Of the Happiest People on earth, / Where death sells at ten for one kobo / And the Living envy the peace

From Olongo Africa
On July 18, 2022
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“Before Next Spring” Humanizes the Lives of Chinese Students in Japan

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Part of coverage of the 2022 New York Asian Film Festival.

From No Man Is an Island
On July 16, 2022
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What Would “Cultural Sovereignty” Mean for Taiwan in an Age of Digital Media?

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Minister of Culture Lee Yung-te made comments at the recent National Culture Congress earlier this month that might strike as somewhat unusual.

From No Man Is an Island
On June 22, 2022
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The Journey Matters: A Conversation About Earthfest

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Brian Hioe spoke to Blaine Whiteley about Earthfest, which will take place in Miaoli from July 21st through July 24th.

From No Man Is an Island
On June 11, 2022
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JONATHAN COME LATELY—AN INTRODUCTION

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Jonathan Russell Clark debuts a monthly column for Tasteful Rude detailing the choicest selections from his book-obsessed life.

From Tasteful Rude
On June 16, 2022
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Uchechukwu Peter Umezurike’s Double Wahala

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In Nigerian popular culture, ‘double wahala’ is a Pidgin English phrase that was made popular by ace Afrobeat musician and activist, Fela Anikulapo Kuti.

From Olongo Africa
On June 13, 2022
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The Sound of Ambient Rain with a Progressive Beat: NYORAI’s 雨の音

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雨の音 (rain sound) is a compact EP, but it manages to take listeners on a unique aural journey.

From No Man Is an Island
On June 5, 2022
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The Spectacle and Politics of Nudity in “Blood Sisters”

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If we think of film as “visual storytelling”, Blood Sisters certainly gives us the “visual” even if it sometimes leaves us wondering about the “storytelling.”

From Olongo Africa
On May 27, 2022
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A Nigerian Poet’s Dangerous Amorous Episodes

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In the traditions that established earlier voices in modern Africa poetry, sociopolitical maladies have remained an arch theme. In the words of Omafune Onoge, what rocks African poetry most is the crisis of consciousness.

From Olongo Africa
On May 24, 2022
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Ethnography in the Club

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A Review of Dance Music Spaces

From No Man Is an Island
On May 18, 2022
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