World
“100 Ways to See Transgender” Exhibition Shares a Wide Range of Transgender Experiences
This past weekend, over 200 participants came to see the Taiwan Alliance to Promote Civil Partnership Rights’ (TAPCPR) "看見跨性別藝文展 100 Ways to See Transgender" exhibition at 二空間 SPACE TWO. Since their first Transgender Film Festival in 2020, TAPCPR has made it a tradition to do larger scale public engagement programming around transgender issues every year in the month of November. Last year was the second Transgender Film Festival, and this year is the 100 Ways to See Transgender exhibition
Our Haunted Apartment in Montreal
twenty years on, the author reflects on being trapped in a vortex of dark energy
Risking Your Life to Get to School
increasing abductions on the Abuja-Kaduna expressway
Meet the New Wolf, Giorgia Meloni
the center-left who cried wolf
MELODRAMA-RAMA: ABSORBING DELIGHT
The Telugu film RRR is an incredible mixture of genres, influences, and ideas: a historical epic with obvious ahistorical qualities, a combat-heavy actioner with exuberant song-and-dance numbers, a homosocial friendship drama with recognizably romantic montages. Strong notes of melodrama accent its potent blend.
What Would “Cultural Sovereignty” Mean for Taiwan in an Age of Digital Media?
Minister of Culture Lee Yung-te made comments at the recent National Culture Congress earlier this month that might strike as somewhat unusual.
Questions for My Ailing Country
A young police officer is standing with a woman I assume to be his mother. She is praying for him loudly, at a major junction on the streets of a Lagos suburb; speaking in tongues unashamedly while passers-by stare, some in admiration, others, not so much.
I took a tricycle to the hospital
I hardly leave my house, but I had to go there; I was going abroad and needed to be double vaxxed before traveling.
A Nigerian Poet’s Dangerous Amorous Episodes
In the traditions that established earlier voices in modern Africa poetry, sociopolitical maladies have remained an arch theme. In the words of Omafune Onoge, what rocks African poetry most is the crisis of consciousness.
Not A Laafin Matter: Lamidi Ọláyíwọlá Àtàndá Adéyẹmí (1938-2022)
When news broke late on 22nd April 2022, that Ọba Ọláyíwọlá Adéyẹmí III, the Aláàfin of Ọ̀yọ́, had joined his ancestors at the ripe old age of 83, there was a sense in the entire Yorùbá speaking world that a truly regnant king had departed the realm.